It is an old request to interpret, translate and analyze current art topics via new forms of perception. With the up and coming usability of computer technology in the working fields, more and more analytical and conceptual transformations take place, which means that more and more drafts and projects are produced with automated random processes. The work audio.in shows one experimental discourse, in which random selected audio frequencies generate abstract-minimalist picture samples (referring on an algorithm). .

Primary attention in this project belongs to the decoding of audio characters and audio parameters via Fourier-algorithms into a visual language. The appearance of the computer-generated real time animations are manipulated by the music - an important artistic part in the project audio.in remains in the programming.

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